The Religious And Economic Center Essay - 2155 Words

1. Mecca was considered both an important religious and economic center because as well as being a caravan city, it was also the birthplace of the prophet Muhammad and the religion of Islam. 2. The Ka’ba was a pilgrimage site for followers of Islam, Christianity, and Judaism. The cubical shrine was associated with stories of Jews and Christians in which Abraham was believed to be the builder of the Ka’ba. In addition, Meccans believed a site outside Mecca was the location where God asked Abraham to sacrifice his son. In the Islam belief, the son sacrificed was not Isaac, but really Ishmael, the son of Hagar who was also the forefather of the Arabs. 3. Arabs differ from Muslims in that the term Arab identifies a person of a certain regional origin. However, Muslims are people who embrace the religion of Islam. Not all Muslims are Arab and not all Arabs are Muslim. 4. Muhammad was similar to Jesus Christ and Augustus Caesar because he was a man who started a serious change in a society. Muhammad taught his revelations to the people of Mecca and beyond which established the Islamic faith. Jesus Christ was a prophet who preached that he was the messiah and his sacrifice would end suffering, establishing the faith of Christianity. Finally, Augustus Caesar changed Rome forever by gaining power and establishing an empire. 5. The revelation of Mohammad called all people to surrender to God and acknowledge Muhammad as the last of his messengers. By doing this one would becomeShow MoreRelatedGod is Not Great by Christopher Hitchens1301 Words   |  6 Pagessociety and civilization and incredible importance to everyday life and decision making. In many of these disputes religious belief, or a lack thereof, serves as an important driving force behind one or both sides of the argument. In the modern world, one of the bigger instances of this can be seen in the many debates between Atheistic and religious individuals about the implications of religious belief on morality. 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The Anthropology Of Gender And Its Correlation Between...

1. INTRODUCTION The study of the archaeology of gender emerged during the 1980s and the 1990s and since then, archaeologists influenced by post-structuralism, feministic archaeology, and archaeology of the body have been questioning the biological determinism of gender (Gilchrist, 1999, pp.13–14; Sofaer, 2006, pp. 89-116). On the contrary, earlier archaeological approaches presumed the existence of a link between anatomy and social identity, and formed methodological and interpretive imperatives on issues such as the social composition of a group the division of labor, the cultural perception of the individuals and finally, their mortuary treatment (Joyce, 2008, pp. 39–40, p.93, pp.123–124). Based on this polarization towards the interpretation of gender and its correlation to sex, I will present in this essay the question of whether it is possible or not, to assign a specific gender and a specific sex on individuals based on past cemetery evidence. However, before proceeding in discussing gender and sex on mortuary contexts it is essential to establish the definitions and address the issues concerning the theoretical and the practical approach of the two pillars of this question, namely: the gender and the sex. 2. GENDER AND SEX IDENTIFICATION Gender is considered a socially constructed idea that is infused in individuals during their childhood and it encapsulates a social code of behaviour that will facilitate their later integration in a social group. Additionally, itShow MoreRelatedOne Significant Change That Has Occurred in the World Between 1900 and 2005. Explain the Impact This Change Has Made on Our Lives and Why It Is an Important Change.163893 Words   |  656 Pagesperspectives on the past) Includes bibliographical references. ISBN 978-1-4399-0269-1 (cloth : alk. paper)—ISBN 978-1-4399-0270-7 (paper : alk. paper)—ISBN 978-1-4399-0271-4 (electronic) 1. History, Modern—20th century. 2. Twentieth century. 3. Social history—20th century. 4. World politics—20th century. I. Adas, Michael, 1943– II. American Historical Association. D421.E77 2010 909.82—dc22 2009052961 The paper used in this publication meets the requirements of the American National StandardRead MoreStephen P. Robbins Timothy A. Judge (2011) Organizational Behaviour 15th Edition New Jersey: Prentice Hall393164 Words   |  1573 PagesEffective versus Successful Managerial Activities 8 †¢ A Review of the Manager’s Job 9 Enter Organizational Behavior 10 Complementing Intuition with Systematic Study 11 Disciplines That Contribute to the OB Field 13 Psychology 14 †¢ Social Psychology 14 †¢ Sociology 14 †¢ Anthropology 14 There Are Few Absolutes in OB 14 Challenges and Opportunities for OB 15 Responding to Economic Pressures 15 †¢ Responding to Globalization 16 †¢ Managing Workforce Diversity 18 †¢ Improving Customer Service 18 †¢ Improving PeopleRead MoreOrganisational Theory230255 Words   |  922 Pagesapplication and consideration of how managment practice is formed and shaped by ideas and concepts. The authors have brought their wealth of experience and understanding and provided the field with an imaginative reso urce to address the dynamics between theory and practice. Dr Susanne Tietze, Bradford University, UK The key to success for managers is not only to be result oriented but also to be wise in their decision making. This requires that they have a deeper than superficial understanding ofRead MoreLogical Reasoning189930 Words   |  760 Pages... 465 Correlations......................................................................................................................................... 465 Significant Correlations ................................................................................................................. 472 Causal Claims ..................................................................................................................................... 474 Inferring from Correlation to CausationRead MoreLibrary Management204752 Words   |  820 Pages . . . . . . . . . . . . . . . . . . . . 24 34 45 48 52 . . . . . . 54 . . . . . . 56 . . . . . . 57 . . . . . . 88 . . . . . . 97 . . . . . 101 . . . . . 103 . . . . . 104 xvii xviii Illustrations Figure 5.5. Political, Economic, Social, and Technological (PEST) Factors Impact Planning. . . . . . . . . Figure 5.6. Several Factors Must Be Considered in Initial Strategic Planning Steps. . . . . . . . . . . . . . . . . . . Figure 5.7. University of California–Berkeley Library’s Value

Comparing Regional Embroidries Free Essays

Three Types of Embroidery Kashida Kari of Kashmir Kashida has taken it roots from the word Kashmir. KASH means water channel and MIR means mountain. KASHIDA KARI means work of water channel. We will write a custom essay sample on Comparing Regional Embroidries or any similar topic only for you Order Now Kashmiri embroidery has become world renowned, largely through it superb shawls. All the fact Kashmir incomparable beauty seems to be reflected its needle work. The shawl industry flourished during the rule of Sultan Zain-ul-Abiden during 15th century. He brought craftsman from Persia to revive the existing art. The demand for Kashmiri shawls increased during Mughal rule. Motifs A large variety of flowers of tremendous colors, shape, size, namely lily, tulip, saffron, iris, bunches of grapes, apple, cherries, plums, birds like kingfisher, parrot, wood pecker, magpie, canary all appears in kashida kari. China leaf is the motif most abundantly used along with Cyprus tree. Many beautiful colored butterflies found in sanctuary and valley has occupied an important place in kashida. Animal and human figures are not found in kashida kari of Kashmir. Embroidery Threads Embroidery thread employed earlier was fine quality woolen yarn. Gradually woolen yarn were replaced by the each and lustrous silk thread. The bright, gorgeous in expensive art silk [rayon] has entered the industry by replacing the expensive silk threads. Colors Used The embroidery is comprised of wide spectrum of colors of light and dark shade such as crimson red, scarlet red, blue, yellow, green, purple, black and brown. Earlier, yarn was locally dyed by embroider himself, with the help of natural ingredients. PHULKARI The art of phulkari has its origin in the early part of the 19th century when the ODHNI or head cloth was highlighted with embodied flowers. The embroidery is very simple but the color combination, stitches and the patterns makes it spectacular and gorgeous. It is made on all sorts of cloth and is used in various ways. Bright colors are always preferred when it comes to phulkari, because it refers to flowers and gardens. The main colors used are yellow, red, green, orange, pink and blue. The most interesting part of phulkari is that no different shades are used for shading purpose, rather, it is done with the horizontal, diagonal, and vertical stitches . the shiny threads reflect different shades in different directions. Thread Soft, glossy, untwisted silk thread is employed for the stitching, which is supplied from Kashmir, Afghanistan and Bengal, which is called â€Å"PAI†. Phulkari And Its Types This is a red colored cloth that has phulkari on the border and edges and is presented to a bride by her grandmother just before the wedding. Vari-da-Bagh It is a red colored cloth, which has embroidery in small patterns all over in yellow, denoting fertility and happiness. Along the border, patterns are smaller and beautifully designed in different color thread. Ghunghat-Bagh/Sari-Pallu It is usually used to cover the head as a symbol of respect for elders. There is embroidery on the small borders on all the four sides. A larger triangular motif is embroidered at the center, making it beautiful. Darsha-Dwar It is a gate that gives a view of deity. It is basically embodied to be presented in the temple or gurudwara. Satarangi A seven colored PHULKARI. Kantha of Bengal; Kantha means throat. The origin of kantha traces its history to a period not less than thousand years. In East-Bengal kantha was a personal expression of arts and crafts that was made spontaneously. A real kantha is able to narrate a story, and is much more compact in design and it is made out of used material. Motif The kantha of individual is unique by itself. Because it is always the craftsman’s creation, ideas, innovation, taste of fancies, and art of executing how fresh form, designs, figures, and motifs. However some basic traditional designs are commonly seen in each piece of their work. Their motifs are composed of heterogeneous objects like various types of lotus flower, mandala, satadala, Padma tree, foilage, floral scrolls, kalkas, animal and human figure, spiral, bird, fish, and boat. There are different types of kanthas and are named according to its utility. Arshilata It is used as a cover or wrap for mirror, comb, and other accessories. It is a narrow rectangular piece. It has a wide border and central motif. The lotuses, trees, inverted triangles, are some commonly used motifs. Bayton A three feet square piece serves as a wrap for books and similar valuables. It has a central motif usually the lotus with hundred petals called SAFADALA PUDMA. The traditional and folk design of oldest style in bayton is mandala. Durgon Square piece which is used a wallet cover. It has a central lotus motif, with an elaborated border. The three corners of this piece are drawn together inwards to make the tips to touch at the center and are sewn together like an envelope. Sujani It is used as spread during ceremonial occasions. This rectangular piece is divided into nine equal parts, and the motifs are distributed accordingly. Colors This colorful embroidery is made with yellow, green, blue, red, and black color thread. Mainly traditional colors like black, deep blue and red which symbolizes three basic qualities and also corresponds to the three aspects of nature i. . earth, sky and space. Thread Threads used in kantha are usually pulled out from worn sarees, or cotton thread is used. Comparing Three Types The darn stitch is used in PHULKARI, while the base material for embroidery has traditionally been hand spun, hand woven, and natural dyed khadi. Whereas, the novel-ness of the Kashmiri embroidery is that the whole pattern is created using one or two embro idery stitch style. The base cloth used in Kashmiri embroidery is cotton or wool. Running stitch is used for making simple quilt. The traditional form of kantha embroidery was done with soft dhotis and saris, with a simple running stitch running along the edges. Motifs used in kantha embroidery are human and animal figures, floral symbols, which cover the surface from the corner. Different patterns like fishes, birds, Kalka, mandola, mythological stories are also figured. Comparatively, motifs used in Kashmiri embroidery do not include animals or human figure, but floral motifs, birds, parrots, canary, green plums, almonds, cherries are commonly used. Whereas in phulkari fauna and flora motifs, peacock, red chilies, ace of diamond are used. Lotus motif is used in all three types of embroidery. Their source of inspiration is nature. The ways in which motifs are used make the three embroideries completely different from each other. They have their own unique features. The colors used in phulkari are bright like golden yellow, crimson red, bright orange, green, blue and pink. The colors found in kashida kari are white, purple, ferozi, yellow, black and scarlet. In kantha traditional colors are used like blue, green, yellow, red, and black. All three embroideries have many common features, yet they have their own unique style. How to cite Comparing Regional Embroidries, Essay examples